REVIEWS

"...but the piece is made extraordinary here by the circumstances, including excellent acting by both the corporeal Gibson and the virtual-but-real Harry Smith..."

(David Fox, Philly Mag)

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"Gibson is both nerve-wrackingly serene and unglued."

(Toby Zinman, The Philadelphia Inquirer)

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"Watson (Food; The Art of Hiding) here uses the most exquisite language imaginable, with rich, complex, and strange imagery, deploying a poetics of evolutionary biology delivered by Gibson with passion and conviction."

(Philadelphia Inquirer, Tirdad Derakhshani)

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"Though her chest and chin thrust outward, and there's an adolescent defiance and twinkle in her eye, she stills conveys the underlying weariness of a woman whose self-destructive patterns have followed her into middle age, making the wrong decisions and alienating those who love her."

(Wendy Rosenfield, The Philadelphia Inquirer)